An indefinite hiatus.

I have something to say. And I’m going to keep this brief, because I don’t really want to waffle.

I say this blog is important to me, and it is. And I want every post I put out to be the best quality that I can put out, even if there will be people who don’t necessarily agree with my opinions or philosophy or whatever the word is. At the start of the year, I set myself some goals and plans for the year; a big post project similar to my one with Revue Starlight, a ‘Everyone is Telling Me to Hate’ project, some show reviews, a redo of the Mahouka marathon, so on, so on…

But right now I’m at a position in my life where I think none of that can be possible. Or perhaps a better way of describing it is I don’t think I can put out posts in the quality that I want right now. Could you call this a writer’s block? Well a lot of my time is devoted to my full-time job, plus some other personal things that I want to keep very close to my chest right now.

I will carry on with writing drafts by myself, but for now Anime Solstice will be going on an indefinite hiatus.

This sucks and I’m sorry, but I know this will be for the best for me, in terms of mental health and personal growth. Writing is something I really love doing, and losing that spark has really done a number on me.

Thank you. And see you again soon…

Do you even have the time anymore?

That’s a question I’ve been asking a lot recently. I’ve recently returned to full-time work, and though I know that is no excuse whatsoever, my time spent with anime is dwindling. And I can’t really explain why either.

My plans for Anime Solstice for this year remain the same though. I want to do my Revolutionary Girl Utena post project, and I want to get this “Everyone is Telling Me to Hate” project going. A part of me is even looking forward to watching the torture that is Mahouka all in one ago again. So has it really been this season that has done a number on me?

I think perhaps what it has been is that I had been so engrossed in watching the current season’s anime for so long, that I had somewhat forgotten about everything else. I had a real ball writing my Otaku Theater column for The OASG, and so now I’ve stepped away from that and feel this new freedom to watch whatever show I want when I want*, it is just…strange.

(*I know this sounds absolutely nuts to a lot of anime viewers, but bearing in mind that seasonal anime was pretty much the only thing I watched for over 10 years…)

Let us have a quick look at what this Winter 2024 has for us. A lot of us will be turning to Netflix’s acquisition of Dungeon Meshi, which they have renamed as Delicious in Dungeon…for some reason. It’s a 2-cour show, and it’ll be something I’ll need to sink my teeth into. I think Studio Trigger might be in that weird position where they are considering where to let their shows go to first. Two reasons why I think this:

  1. Their last show, Cyberpunk: Edgerunners, a co-production with CD Projekt RED, is a Netflix exclusive. Details on when their new version of Panty and Stocking with Garterbelt are very sketchy as of time of writing, and their most recent movie, Gridman Universe, still has no Western release date (again as of time of writing).
  2. Episodes for Dungeon Meshi are being released at the same time in the West as they are in Japan. Netflix have only ever done this once, with Violet Evergarden. Trigger obviously know the West are an audience to be reckoned with.

Another show I have my eye on is Metallic Rouge, by Bones. And yes, people are already putting out theories and conspiracies that Bones’ other shows set on Mars, Cowboy Bebop and Carole and Tuesday, are all set in the same universe and/or timeline. I personally would consider that pretty awesome, although I honestly don’t think so at all.

So, two shows. Everything else this season has been a hard no for me. And although I know that’s not really an unusual thing for an anime viewer to do, it’s often been the case that I feign interest in at least 6-8 shows. But even though I say that, I don’t consider this Winter season to be a weak one at all. It is giving us a lot of shows that a lot of viewers will watch, love and appreciate. I think when the Spring season comes, I’ll be onto a lot of shows…and I mean a lot.

Both Yuru Camp and Sound! Euphonium are coming back for their third seasons. Production I.G are giving us an epic-looking action show about kaijus in modern-day Japan (Kaiju No. 8), and even my beloved Mahouka is getting its third season too. And of course there’s the fact that the Demon Slayer and My Hero Academia hardcore fans have new content to chew on. I just cannot believe that My Hero Academia is in its seventh season, plus a fourth movie is coming out later this year. At this rate, I think Bones will consider the MHA franchise done and dusted when Deku retires from his salaryman job.

This blog is important to me, even if not many people read it. I’m able to vent some frustrations and put out some ideas about how anime has come to me and affected me over the years. I do have my next post in a draft, so that’s something – a brand new “Everyone is Telling Me to Hate” post. I do think that the Utena post project will take a lot of research and time to complete though. And of course I won’t ever say no to a show review post. I will also say that there has been one other post that has been in draft for a while, but because of its very sensitive nature, I know I have to get it 1000% perfect before publishing it (yes, that’s a thousand, not a hundred).

So am I just making my full-time job an excuse to put this blog aside? It feels so wrong that I’m thinking like that considering how much time and effort I’ve put here. I am no journalist or professional reviewer either. I just type words onto a screen, and then mix them round to form sentences that make some kind of sense.

Everyone is Telling Me to Hate: Exception.

I had initially planned on a holiday-themed post to be the one before the start of 2024, but I’m rather excited in getting this little project going. It was something I brought up briefly in my 2024 plans post, and so I want to elaborate more now. ‘Everyone is Telling Me to Hate’ is going to be an ongoing set of posts where I take a look at some shows and movies that have received a lot of criticism, backlash and hate. They could have poor animation, poor character design, poor storytelling, or a mixture of the three. These are the kinds of show and movies that are universally panned, and yet I still want to form my own opinion of them. I tried defending EX-ARM, the show everyone loves to hate, by putting it in the “so bad it’s good” category after all.

So what should I do, and where should I start? Well I’m going to begin with a little something that I had originally wanted to talk about in Japan Curiosity, but never got around to it: the 2022 Netflix original show Exception.

In the far distant future, humanity has been forced to leave Earth for the stars, to terraform new worlds. On a terraforming project, its crew are ‘created’ one-by-one with the help of an advanced 3D printer. However, a system malfunction as a result of being hit by a solar flare leads to one of the members, Lewis, emerge as a deformed horror. As ‘Lewis’ begins to turn on the rest of the crew, will the remaining crew be able to survive and complete their terraforming mission?

Exception is…well…it’s something. I’m not going to lie when I say that, after watching the trailer, I was not especially looking forward to watching it. And I can imagine the same can be said for a lot of people who saw it too. But was my complaint really about the show’s very unusual animation style? 3D anime doesn’t have a great history. I mean we’ve had fascinating pieces like Land of the Lustrous and BLAME! where the 3D animation works so well due to the story and setting. A lot of reviews of Exception have really centered around the show’s unusual 3D animation, but I still wanted to look beyond that and see what the Netflix show offered me.

(This post contains spoilers for Exception)

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2024 plans.

(I didn’t even bother with a witty title for this post. Written hastily in less than 30 minutes…)

Hi. So it’s almost 2024. And this blog has been around for longer than I thought. Although I know that this hasn’t really been a place I update as much as I would like. I look at so many other anime bloggers and am in a kind of mixture between envy and awe. Writing here isn’t a full-time thing for me, and it never really has been. I left my regular column on The OASG in July meaning I haven’t had a real reason to catch up on new shows. Which in turn meant I had less of a reason to even watch anime in the first place.

The Spring season saw me watching Oshi no Ko, Skip and Loafer and season 2 of Tonikawa, alongside an out-of-season Lycoris Recoil. I don’t even remember what was in the Summer season, and I only know a handful of stuff that came in this Fall season. I won’t lie when I say that these last few months of an ‘anime break’ have been quite wonderful. I had been following and writing about new and seasonal anime for around 8-9 years, and now that era (if you can call it that) is over, it’s like some weight has been lifted off my shoulders. You know how corporate Vtubers can sometimes be tied down with what kind of content they have to put out, and then when they leave the company they feel a sense of relief knowing they can do what they want…well that almost how I feel.

(Not sure why I used that analogy; I just have gotten into them this past year. Call me a Nijisanji EN and VShojo simp, I guess.)

So what will 2024 do for me now that I’ve taken a good amount of time off from watching anime? Well I do have a few ideas in mind, and I thought I might as well share some of them. Not sure if I mentioned some of them in a past post, but whatever:

  • Before the blog post purge, I did a 12-hour marathon of Mahouka season 1. To say it was a painful experience would be an understatement…which is why I think it’s time to not only relive that experience, but make it bigger by watching season 2 alongside it.
  • I remember mentioning that I was doing another post project similar to the Revue Starlight one I did. Well I’m still committed to doing it, and I’ll also tell you a little more about it. The show I’ll be covering for it is another sword lesbian show: Revolutionary Girl Utena. Like the Revue Starlight post project, I won’t be going down a chronological order route, and instead will be touching on individual topics and moments that are raised in the show. Things like gender non-conformity, feminism, misogyny and manipulation, flower language, and the deeper connection that Utena and Anthy have.
  • My EX-ARM defense post is one of the most read posts I have here, and stands out considering everyone else in the community seems to loathe it so much. Well I wanted to write about shows that the community either despise with a passion, or really love to hate. And there are quite a few of them too. Which is why I’m going to do an ongoing project which I’m calling ‘Everyone is Telling Me to Hate’. I have a couple of shows already in mind, and am eager to put out the first one as soon as I can. Possibly once Christmas is over.
  • The Pretty Cure/Precure franchise has been going for a very long time, and will be in 19th generation (21st season) in 2024. Going through all of them would be a Herculean task, I know, but it’s still something I want to talk about somehow. Whether it be going all the way back to Futari wa Pretty Cure, or talking about the franchise’s themes as a whole, or even the Glitter Force show that Netflix put together. I won’t be putting this idea aside; I just want more time to think about what to do. Hell it may even become a super long post project like the Utena one I have in mind.
  • More show reviews are definitely coming. I’m happy with the recent ones I’ve done of Black Rock Shooter: Dawn Fall and Fate/Extra: Last Encore. They are both shows that people have mixed opinions on, and I really liked talking about the pros and cons of each of them.
  • Will I be going back to talking about brand new seasonal shows? I haven’t really decided yet. To be honest, I haven’t really paid much attention to what is coming in 2024. Who knows though…depends on what catches my eye, I suppose.

There are other post ideas as well, but I won’t be talking about them just yet. I’m hoping 2024 will be a year where I take this blog more seriously. This Christmas will be super cheap for me intentionally. I want to raise money for other things coming up in life, so some of the holiday days will just feel like any other day.

I’ll try and binge-watch some show I guess.

Fate/Extra: Last Encore: The beautiful nightmare.

You can go to many Fate fans and ask them what their favorite one of the franchise is. Many can talk about the original Fate/Stay Night from 2006, or maybe Fate/Zero, or perhaps the Heaven’s Feel movie series. So why doesn’t Fate/Extra: Last Encore ever fit into their conversations? On that matter, why does the Fate/Extra sector of the entire franchise stand out so much compared to the others, and not in the most positive way?

To those unfamiliar with this sector of the franchise, it tells a side-story of the Fate/Extra PSP game from 2010. Show protagonist Hakuno Kishinami is a high-school student – or rather they were. They find themselves awake in a virtual world modeled around a high school. They have no memories of their past life, or how they got there, but before they can make sense of the new world around them, they find themselves thrust into a bloody battle: The Moon Holy Grail War. However, instead of Holy Grail Wars that have featured in other Fate series, this one is more like a battle royale, where the winner wins the Holy Grail itself – a wish-granting chalice. Every participant (forced or otherwise) has been ‘digitized’ by the Moon Cell (a gigantic supercomputer), and loss or disqualification means their lives are forfeit. Hakuno’s Servant Saber (Nero Claudius) joins them and together they must beat fellow Masters and Servants inside an artificial environment (Serial Phantasm, or SE.RA.PH) inside the Moon Cell, ascend floors and take the grail for themselves.

Are you following me so far? Well there’s plenty more in the show that I haven’t touched on, and this was one of the biggest issues in Fate/Extra: Last Encore. Peoples’ main complaint with the show was that it had a plot that became more and more confusing as each episode went on. In addition to this, the screenwriters seemed more keen to put together a ‘whole new story’ that was separated from the main Fate series. We’d get characters like Rin Tohsaka and Sakura Matou appear, but outside of that we were given something that was wildly different than the tragic dark fantasy tales that have made Fate the successful and popular franchise that it is. It was not a show for Fate newbies; that much was made clear, even by the show runners. Did it give too much change to the franchise? Why was it not as accessible as other Fate shows? Where did it go wrong in some places, but excel in others? Where did the hate come from and was it justified? Well, let’s take a look…

(This post contains spoilers for Fate/Extra: Last Encore)

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